link : Dead Again: Past Lives Remembered
Dead Again: Past Lives Remembered
Branagh as Roman Strauss. |
The brilliant opening sequence is composed of newspaper clippings which tell the backstory of composer Roman Strauss, who was suspected, arrested, convicted, and executed for murdering his wife Margaret in 1949. The film then opens in contemporary L.A., with a woman (Thompson) awakening from a nightmare to find herself at the Saint Audrey's School for Boys. She will not speak, has no identification documents, and appears to be amnesiac. The school's headmaster sends for Mike Church (Branagh), a private eye who was once a student at the Catholic orphanage.
Branagh as P.I. Mike Church. |
The next day, an antiques dealer named Madson (Jacobi) comes calling. He wants to help Grace through hypnosis. Church protests, but Madson puts Grace under a trance quickly and she regains her speech. She then accepts Madson's offer of help and the next day, while under hypnosis, reveals that she was Margaret Strauss in a previous life.
There's a Hitchcockian quality to the script and one suspects that's what drew Branagh to Dead Again. The decision to have Branagh and Thompson also play Roman and Margaret not only strengthens the narrative, but makes it easier for audiences to understand. However, it's disconcerting that only one person comments on the physical similarities when it's obvious from old photographs that Grace doesn't just resemble Margaret...but looks just like her!
The decision to film the extensive flashback in black and white serves two purposes. First, it also makes the somewhat convoluted story easier to follow. More importantly, it evokes L.A. in the 1940s as filtered through the lens of old black-and-white Hollywood films. It's Branagh's way of paying homage to classic cinema--especially the works of Hitchcock and Welles--in a contemporary mystery with film noir elements. The choice of scissors as a murder weapon is a obvious reference to Hitchcock (Dial M for Murder) as is the artwork in Grace's apartment (the giant scissors remind me of the Dali dream sequence in Notorious). Incidentally, some people claim that the decision to shoot the flashbacks in black-and-white was made after test screenings. However, I couldn't find a reliable source to confirm that claim.
Emma Thompson and Derek Jacobi dominate the screen, even though the former doesn't utter any dialogue for the film's first 30 minutes. An unbilled Robin Williams also impresses as an disconcerting former psychologist who stocks shelves in a grocery store. As for Branagh, it's a matter of two performances: he's perfect as the jealous Roman Strauss, but seems downright out-of-place as detective Mike Church. From his peculiar American accent to his verbal ramblings, the film would have been served better by someone who underplayed the role.
Dead Again is a stylish, often engrossing murder mystery--but also a forgettable one. I watched it again recently and, despite having seen it theatrically, I couldn't remember a single plot point beyond the general premise. It serves as a effective reminder of just how hard these kinds of suspense films are to make. We tend to forget that because Hitchcock and De Palma (to a degree), made it look so easy.
Emma Thompson as Margaret. |
The decision to film the extensive flashback in black and white serves two purposes. First, it also makes the somewhat convoluted story easier to follow. More importantly, it evokes L.A. in the 1940s as filtered through the lens of old black-and-white Hollywood films. It's Branagh's way of paying homage to classic cinema--especially the works of Hitchcock and Welles--in a contemporary mystery with film noir elements. The choice of scissors as a murder weapon is a obvious reference to Hitchcock (Dial M for Murder) as is the artwork in Grace's apartment (the giant scissors remind me of the Dali dream sequence in Notorious). Incidentally, some people claim that the decision to shoot the flashbacks in black-and-white was made after test screenings. However, I couldn't find a reliable source to confirm that claim.
A sample of the artwork in Grace's apartment. |
Derek Jacobi as Madson. |
Dead Again is a stylish, often engrossing murder mystery--but also a forgettable one. I watched it again recently and, despite having seen it theatrically, I couldn't remember a single plot point beyond the general premise. It serves as a effective reminder of just how hard these kinds of suspense films are to make. We tend to forget that because Hitchcock and De Palma (to a degree), made it look so easy.
Source: 70s Movie
That's Articles Dead Again: Past Lives Remembered
That's an article Dead Again: Past Lives Remembered This time, hopefully can benefit for you all. Okay, see you in other article posting.
You are now reading the article Dead Again: Past Lives Remembered link https://70smovie.blogspot.com/2019/12/dead-again-past-lives-remembered.html