link : Danielle Teller's "All the Ever Afters"
Danielle Teller's "All the Ever Afters"

Here Teller dreamcasts an adaptation of her new novel, All the Ever Afters: The Untold Story of Cinderella’s Stepmother:
All the Ever Afters is a reimagining of Cinderella from the stepmother’s perspective. The characters inhabit a realistic medieval setting; elements of the fairy tale are rendered as real life events. In the movie version of my book, I imagine Kate Winslet as
the “evil” stepmother, who is strong in both body and spirit and possesses the sort of innate intelligence that shines through in Ms. Winslet’s performances. While not a classic unreliable narrator, the stepmother filters events through her own perceptions, emotional needs and preconceived notions (as do we all!). It would be important for the actor who plays her character to convey what is unspoken, and Kate Winslet has an incredible gift for communicating complex emotions through facial expressions and body language.
The character I had the most trouble visualizing was Elfilda, or Cinderella. What does it mean to be ineffably beautiful? Then I saw Emilia Clarke playing Daenerys Targaryen on Game of Thrones and thought, “That’s it!” Not only is she breathtakingly gorgeous, but Emilia Clarke is small and fine boned (as the owner of the tiniest shoes in the kingdom must be), and her face can light up with pure, childlike delight, just as I imagined Elfilda.
If I could pick a director for my-book-the-movie, it would be Sarah Polley, and not just because she’s a fellow Canadian and a woman. Ms. Polley’s subtle and poignant movies are hymns to ordinary human relationships, and my novel centers on a mother’s feelings for her daughters and stepdaughter. The novel also uses light and dark as a leitmotif, and Ms. Polly understands how to use lighting not only to convey mood but meaning, as in her movie Away From Her, where strong winter sunlight both set the tone and provided a metaphor for the harsh realities that the characters needed to face. Visit Danielle Teller's website.
Writers Read: Danielle Teller.
The Page 69 Test: All the Ever Afters.
--Marshal Zeringue
Source 70s Movie
The character I had the most trouble visualizing was Elfilda, or Cinderella. What does it mean to be ineffably beautiful? Then I saw Emilia Clarke playing Daenerys Targaryen on Game of Thrones and thought, “That’s it!” Not only is she breathtakingly gorgeous, but Emilia Clarke is small and fine boned (as the owner of the tiniest shoes in the kingdom must be), and her face can light up with pure, childlike delight, just as I imagined Elfilda.
If I could pick a director for my-book-the-movie, it would be Sarah Polley, and not just because she’s a fellow Canadian and a woman. Ms. Polley’s subtle and poignant movies are hymns to ordinary human relationships, and my novel centers on a mother’s feelings for her daughters and stepdaughter. The novel also uses light and dark as a leitmotif, and Ms. Polly understands how to use lighting not only to convey mood but meaning, as in her movie Away From Her, where strong winter sunlight both set the tone and provided a metaphor for the harsh realities that the characters needed to face. Visit Danielle Teller's website.
Writers Read: Danielle Teller.
The Page 69 Test: All the Ever Afters.
--Marshal Zeringue
Source 70s Movie
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