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Earthquake Rumbles and Rattles!
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| Genevieve Bujold and Charlton Heston. |
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| Ava Gardner and Loren Greene. |
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| Disaster film vet Kennedy also played a cop on The Blue Knight TV series. |
While all these folks shrug off the tremor, a young seismology student (Kip Niven) predicts that the Big One is coming. Little does he know that one of his bosses has already died as a
result of a crack in the Earth and that a city employee has mysteriously drowned in an elevator shaft at the dam....
Earthquake, which was co-written by Mario Puzo--yes, the author of The Godfather!--differs in scope from most disaster films. Its tapestry is an entire city, not just a towering inferno or a cruise ship turned upside down. Puzo and co-writer George Fox do a nice job of introducing the characters and then weaving them into a single storyline after the earthquake decimates the city.
The big quake, which constitutes a seven-minute sequence--still looks impressive. Yes, there are some obvious miniature sets in some clips, but one can see why Earthquake earned an Oscar for Best Special Effects. The effects team included acclaimed matte artist Albert Whitlock, who was likely responsible for the eerie closing shot of a crumbling, burning L.A. Earthquake also won an Oscar for Best Sound and that brings us to...
Sensurround, which was the brand name for a sound system that allowed theater audiences to "feel" the rumbles from the earthquake by using low-frequency sound waves. According to Shared Pleasures: A History of Movie Presentation in the United States, theater owners rented special speakers and an amplifier for $500 a week when showing a Sensurround movie. While the new technology may have contributed to Earthquake's boxoffice clout, it barely survived the 1970s. It was used in a handful of other films such as Midway (1976) and Rollercoaster (1977). However, the introduction of Dolby high-fidelity stereo had attracted far more attention by the end of the decade.
When Earthquake made its broadcast television debut on NBC in 1976, the movie was expanded into a two-night "event." The running time was extended by inserting leftover footage and filming new scenes, including a subplot about an airplane unable to land due to the quake. My recommendation is to steer clear of that inflated edition and stick with the 123-minute version. It may not be great filmmaking, but it's one of the better disaster movies and the cast seems fully engaged.
By the way, that is Victoria Principal (shown on the right) as the the frizzy-haired Rosa, four years before she starred in Dallas. At one time, she and George Kennedy were among those scheduled to star in an Earthquake sequel. Also, although you may not see Walter Matthau's name in the credits, that's him (of course) as the drunk in the bar. He asked to be credited as Walter Matuschanskayasky.
Source: 70s Movie
Earthquake, which was co-written by Mario Puzo--yes, the author of The Godfather!--differs in scope from most disaster films. Its tapestry is an entire city, not just a towering inferno or a cruise ship turned upside down. Puzo and co-writer George Fox do a nice job of introducing the characters and then weaving them into a single storyline after the earthquake decimates the city.
The big quake, which constitutes a seven-minute sequence--still looks impressive. Yes, there are some obvious miniature sets in some clips, but one can see why Earthquake earned an Oscar for Best Special Effects. The effects team included acclaimed matte artist Albert Whitlock, who was likely responsible for the eerie closing shot of a crumbling, burning L.A. Earthquake also won an Oscar for Best Sound and that brings us to...
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| Los Angeles in shambles after the first big quake. |
When Earthquake made its broadcast television debut on NBC in 1976, the movie was expanded into a two-night "event." The running time was extended by inserting leftover footage and filming new scenes, including a subplot about an airplane unable to land due to the quake. My recommendation is to steer clear of that inflated edition and stick with the 123-minute version. It may not be great filmmaking, but it's one of the better disaster movies and the cast seems fully engaged.
By the way, that is Victoria Principal (shown on the right) as the the frizzy-haired Rosa, four years before she starred in Dallas. At one time, she and George Kennedy were among those scheduled to star in an Earthquake sequel. Also, although you may not see Walter Matthau's name in the credits, that's him (of course) as the drunk in the bar. He asked to be credited as Walter Matuschanskayasky.Source: 70s Movie
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