link : Ray Harryhausen's 7th Voyage of Sinbad
Ray Harryhausen's 7th Voyage of Sinbad
 |
| The cyclops on Colossa. |
That's special effects wizard Ray Harryhausen's assessment of his own 1958 fantasy adventure The 7th Voyage of Sinbad. The usually modest Harryhausen knew what he was talking about --7th Voyage shines the spotlight on his incredible stop-motion animation. And for the first time in his feature film career, it was all displayed in glorious color and with a splendid music score to match, courtesy of Bernard Herrmann.
 |
| Princess Parisa and Sinbad. |
Once they reach Bagdad, Sokurah (Torin Thatcher) tries to convince Sinbad to return to the island of Colossa to retrieve the lamp. Sinbad refuses--at least until Princess Parisa (Kathryn Grant) is mysteriously reduced to doll size. Sokurah claims he can restore the Princess to her normal height, but his potion requires the egg shell from a Roc...meaning that Sinbad needs to transport the magician back to Colossa. Once there, they encounter cyclopes (that's plural), a two-headed Roc, a fire-breathing dragon, and--most famously--a sword-wielding skeleton.
 |
center;">A cyclops and the dragon battle on the beach.
The credits for The 7th Voyage of Sinbad tout that it was filmed in Dynamation. The term was coined by producer Charles H. Schneer to describe Harryhausen's painstaking process of combining live action with his stop-motion animated creatures. At the risk of simplifying the process, it consisted of filming the actors alone and then projecting that footage one frame at a time as Harryhausen animated his creatures in front of it. Obviously, the actors' movements had to be precise, which makes Sinbad's swordfight with a skeleton the film's highlight.
In an interview (included as a DVD extra in some boxed sets), Kerwin Matthews describes the complicated "choreography" of the duel. He and Italian Olympic fencing master Enzo Musumeci-Greco rehearsed the sequence until Matthews knew it by heart. Then, Matthews had to replicate it with precision and by memory without Musumeci-Greco. In post-production, Harryhausen animated the skeleton opponent. Matthews didn't see the finished sequence until he watched the film at a theatre in France the following year. It truly is an incredible sequence and Herrmann's music, which is synchronized with each physical movement, is the perfect complement.
Of course, a film with nothing but great special effects would grow tiresome eventually. Thus, it's fortunate that The 7th Voyage of Sinbad benefits from enthusiastic performances. Matthews makes an appropriately dashing hero (though maybe not the brightest...Sinbad doesn't seem to suspect Sokurah of shrinking the Princess). Torin Thatcher makes a delightfully evil villain and Kathryn Grant--the future Mrs. Bing Crosby--is charming as the plucky princess, whose resolve saves Sinbad from being a cyclops snack.
The 7th Voyage of Sinbad isn't Ray's Harryhausen's most jaw-dropping fantasy adventure. That honor belongs to the excellent Jason and the Argonauts (1963), in which the hero battles an army of skeletons. However, it's a colorful, exciting fantasy adventure with enough visual marvels to make you feel the wonderment of childhood again.
Source: 70s Movie
 |
| Sinbad against the skeleton. |
 |
| Torin Thatcher as the magician. |
The 7th Voyage of Sinbad isn't Ray's Harryhausen's most jaw-dropping fantasy adventure. That honor belongs to the excellent Jason and the Argonauts (1963), in which the hero battles an army of skeletons. However, it's a colorful, exciting fantasy adventure with enough visual marvels to make you feel the wonderment of childhood again.
Source: 70s Movie
That's Articles Ray Harryhausen's 7th Voyage of Sinbad
That's an article Ray Harryhausen's 7th Voyage of Sinbad This time, hopefully can benefit for you all. Okay, see you in other article posting.
You are now reading the article Ray Harryhausen's 7th Voyage of Sinbad link http://70smovie.blogspot.com/2019/03/ray-harryhausens-7th-voyage-of-sinbad.html
